The Birth of the Japanese Illustrated Book: Screen Painting and the Kōetsu Sanjūrokkasen (“The Kōetsu Thirty-Six Immortal Poets”)

The Birth of the Japanese Illustrated Book: Screen Painting and the Kōetsu Sanjūrokkasen (“The Kōetsu Thirty-Six Immortal Poets”)

Dr. Jun Suzuki - National Institute of Japanese Literature

Tuesday, August 28, 2012 - 4:00pm to 5:30pm
Room 38 & 39 (Basement Level), Beinecke Rare Book & Manuscript Library See map
121 Wall Street
New Haven, CT 6511

The eighteenth-century book Kōetsu sanjūrokkasen (“The Kōetsu Thirty-Six Immortal Poets”) in the Freer Gallery of Art Library is believed to be the very first poetry book focusing on illustrations rather than text. But was it originally a book? Two other copies of this work (in the New York Public Library and Tenri University Library) were produced in different formats–as a scroll and as a set of loose sheets. Paintings of the Sanjūrokkasen (“The Thirty-Six Immortal Poets”) were traditionally appreciated as framed pictures or as decorations on sliding doors or folding screens. Japanese painting traditionally had a close relationship with screens, and there was a huge demand for painted screens. Consequently, many painting manuals or sample books for painters were produced, and these might have served as an impetus for the development of illustrated books. In this lecture, Dr. Suzuki will explore the relationship between screens and illustrated books in the seventeenth and eighteenth centuries. Please be advised to arrive early for the lecture to use lockers. All Beinecke library visitors are required to store their baggage in lockers to enter the facilities.

Organized by the Yale University East Asia Library, with generous support from the Beinecke Rare Book & Manuscript Library & the Council on East Asian Studies Title VI National Resource Center Grant from the US Department of Education
Region: 
Japan