Before joining Yale, Tian Li was a Korea Foundation-Korea Institute postdoctoral fellow and lecturer at Harvard University, and a lecturer on Asian screen culture at Stanford University. She was also awarded the Yvette and William Kirby Centennial in Chinese studies by the American Council of Learned Societies. Her teaching has earned a Teaching Excellence award from the Office of Undergraduate Education, Harvard University. She received her Ph.D. in East Asian Studies from the University of California, Irvine. She specializes in Korean and Chinese film, media, and cultural studies. Her articles appear in such journals as Telos, China Perspectives, and Continuum: Journal of Media and Cultural Studies. Her current book project Screen-capitalism: Transnational Korean Screen Culture in Postsocialist China investigates the shifting paradigms of cultural dynamics within Korean and Chinese screen media, at their intersection with affect, aesthetic, gender, and ideology.
EAST 300, EALL 297, FILM 342
Global Korean Cinema
In recent times, world cinema has witnessed the rise of South Korean cinema as an alternative to Hollywood and includes many distinguished directors such as Park Chan-wook, Lee Chang-dong, Kim Ki-duk, and Bong Joon-ho. This course explores the Korean film history and aesthetics from its colonial days (1910-1945) to the hallyu era (2001-present), and also analyzes several key texts that are critical for understanding this field of study. How is Korean cinema shaped by (re)interpretations of history and society? How do we understand Korean cinema vis-à-vis the public memories of the Korean War, industrialization, social movements, economic development, and globalization? And how do aesthetics and storytelling in Korean cinema contribute to its popularity among local spectators and to its globality in shaping the contours of world cinema? By deeply inquiring into such questions, students learn how to critically view, think about, and write about film. Primary texts include literature and film. All films are screened with English subtitles.
EAST 302, EALL 298, FILM 345
Politics of East Asian Screen Culture
East Asian screen culture, ranging from cinema, television, musical video, to online games, has (re)shaped the global and national/regional imaginings of East Asia. The Post-Cold War intensification of intra-Asian interactions has precipitated the rise of a Pan-Asian regional identity wherein the nation-state is not yet obsolete. What role does screen culture play in the border-crossing interplay among languages, ideologies, aesthetics, and affect? How do we understand the storytelling and politics of East Asian screen cultures in relation to its historical and social context? How does screen culture capture local/global desires in a digital time? Within the contemporary media ecologies, how does screen culture create an audiovisual relation that traverses screen and actuality? How do screen culture continue to push forward the history of transformation of sign system from the written words to visual moving images in the contemporary sensory over-loaded world of screens. This course deals with issues of (trans)nationalism, (un)translatability, locality and globality, (post)modernity, virtuality and actuality, and politics of gender. Students learn how to think and write about screen cultures of East Asia in particular and of contemporary screen culture in general.